Showing posts with label Amy Tan. Show all posts
Showing posts with label Amy Tan. Show all posts

Saturday, 14 December 2013

Winter novels


"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.
"It's so dreadful to be poor!" sighed Meg looking down at her old dress.
Little Women, Louisa May Alcott

I've never given a book away before so it's about time I did.  Little Women is a perfect Christmas read and you can almost feel the New England snow as you read it.  This is a new Penguin Threads edition which features hand-stitched cover art.  I'll randomly pick a name from the commenters on this post to receive an early Christmas present!

I would love to have visited Asia House in London last month to hear Amy Tan talk about her new novel The Valley of Amazement on a rare visit to the UK, but I couldn't get the time off work.  I've written before about my admiration for Amy Tan.  The Joy Luck Club, The Kitchen God's Wife and most of all The Hundred Secret Senses are some of my favourite novels.

Sadly The Valley of Amazement is not vintage Tan.  It gets off to a great start with young Violet Minturn growing up in her mother's Shanghai courtesan house at the turn of the 20th century.  Tricked into becoming a courtesan herself she is befriended and protected by Magic Gourd the sparky former courtesan who knows all the tricks of the trade and tells it like it is.  There are quite explicit details about the degradation of women in courtesan houses and their will to survive.  This part of the novel is very powerful but when the story moves on to Violet's mother and her history it becomes formulaic, overlong and the ending is far too neat.

That said, Magic Gourd, the ageing courtesan with a heart of gold is a wonderful character who reminds me of Kwan from The Hundred Secret Senses

Despite my aversion to 'weird twins' in fiction I very much enjoyed Curtis Sittenfeld's story of twins who share a gift for predicting dark events.  Sisterland is narrated by Kate who is married with children and tries to disown her gift.  The unconventional Vi positively embraces it and sets herself up as a psychic.  When she predicts an earthquake and becomes something of a small-town celebrity after appearing on the Today show, Kate whose husband works as a geological scientist and dismisses Vi's prediction as nonsense is deeply embarrassed.

Sittenfeld is particularly good on teenage angst and Kate's account of being invited to a slumber party at the age of 13 and messing around with a Ouija board which turns dark and ominous is very well written.  I won't give away the ending but I'll just say beware of October 16th!

2013 has been a great year for fiction.  Best of all was Donna Tartt's The Goldfinch of which more later.  Merry Christmas and see you all in the New Year!

Friday, 13 July 2012

Old favourite

"I see hula-hula once on TV, hip go 'round like wash machine, wavy hands like flying bird ..." Amy Tan The Hundred Secret Senses
Olivia Yee is Chinese-American. Smart, amusing and prickly she is initially delighted to discover she has a half-sister in China who is coming to live with her family in America.  She is less than thrilled with the reality of Kwan who is short, unglamorous and so exuberant she virtually bounces off the walls. Kwan adores her little sister and insists on calling her 'Libby-ah' (the Chinese equivalent of  Hey Libby!) to Olivia's eternal annoyance.
I asked Kwan once how she'd like it if I introduced her to everyone as "Hey Kwan."  She slapped my arm, went breathless with laughter, then said hoarsely "I like, I like." Amy Tan The Hundred Secret Senses
The skewed dialogue between Libby and Kwan is so warm and funny that I've read this book many times just to spend time in their company.  Such is the power of good writing.

Caustic Cover Critic had an interesting post about cover art for novels with a Chinese theme.  Have fans, lanterns and cherry blossom become cliched?  What do you think?

Monday, 25 April 2011

The Hundred Secret Senses

I've always intended this blog to be about beloved books which are passed down through the generations from mother to daughter. This female focus is particularly apt when reading Amy Tan. I've read and re-read everything she has published and I can quote huge chunks of my favourite novel The Hundred Secret Senses.

Olivia Yee grows up with her family in San Francisco. Steeped in American culture she is less than pleased when her older half-sister comes from China to live with them. Kwan has extraordinary powers and senses - she can diagnose and heal by touch, when she tries to wear a digital watch the numbers whizz around, she can sense with pinpoint accuracy electrical faults in a circuit and she can talk to the dead. Kwan is a source of constant irritation to Libby:

Kwan has never been able to correctly pronounce my name, Olivia. To her, I will always be Libby-ah, not plain Libby, like the tomato juice, but Libby-ah, like the nation of Muammar Qaddafi. As a consequence, her husband, George Lew, his two sons from a first marriage, and that whole side of the family all call me Libby-ah too. The 'ah' part especially annoys me. It's the Chinese equivalent of saying 'hey,' as in 'Hey Libby, come here.' I asked Kwan once how she'd like it if I introduced her to everyone as 'Hey, Kwan.' She slapped my arm, went breathless with laughter, then said hoarsely, 'I like, I like.' So much for cultural parallels, Libby-ah it is, forever and ever.
As the novel unfolds, Libby learns to love and appreciate the wonderful Kwan. If you are new to Amy Tan, I would suggest reading the novels chronologically. Start with the Joy Luck Club, then The Kitchen God's Wife - watch out for the wonderful Ding Ho Flower Shop - and then The Hundred Secret Senses.