Slightly frustrating when you pay £14.99 for a book, struggle to page 150 before realising you really don't care that much about the central character or his mother or anyone else in the novel and shove it back on your shelf with a vague plan of returning to it someday (knowing you never will). But that's the chance you take with fiction.
The Poisonwood Bible is one of my favourite novels and I was hoping The Lacuna would work some of the same magic. Set in Mexico in the early part of the twentieth century it is a coming of age story and combines fictional characters with historical characters of the era, for example, the artists Frida Kahlo and Diego Rivera. I don't think it works. Barbara Kingsolver is a wonderful writer but this novel struck me as over-researched.
However, I'm reading Admission by Jean Hanff Korelitz right now. It is so good I've been reading into the early hours and suffering for it the next day as articulated in this blog post by Louise Erdrich. 'Severe maternal inertia' indeed!
The Poisonwood Bible is one of my favourite novels and I was hoping The Lacuna would work some of the same magic. Set in Mexico in the early part of the twentieth century it is a coming of age story and combines fictional characters with historical characters of the era, for example, the artists Frida Kahlo and Diego Rivera. I don't think it works. Barbara Kingsolver is a wonderful writer but this novel struck me as over-researched.
However, I'm reading Admission by Jean Hanff Korelitz right now. It is so good I've been reading into the early hours and suffering for it the next day as articulated in this blog post by Louise Erdrich. 'Severe maternal inertia' indeed!